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This exercise takes all three inversions of every diatonic triad in a major key and weaves them into one continuous, ascending line. Instead of practicing root position, first inversion, and second inversion separately, you play them all in sequence
Using 3 notes per string fingering - some cool sound over dominant 7th
Excerpt from Piano reduction by Carl Reinecke - Tab/position is arranged for 4 string bass.
A solo arrangement of Erik Satie’s Gymnopédie No.1 for 4-string electric bass. This timeless, meditative work features lyrical melodies and subtle harmonic dissonance, adapted to let the bass sing.
My favorite 5/8 arpeggio section - arranged for 4 string bass
The intro part of my composition "705" and the short etude extension use quintal harmony.
Arpeggios with Chord Tones and Tensions: Complete Major Scale in 3rds (Ascending and Descending)
This exercise utilizes chord tones and tensions within arpeggios to explore the complete major scale in 3rds, both ascending and descending. It emphasizes harmonic understanding, fretboard mastery, and technical precision, making it a valuable practice tool for improving your melodic and harmonic phrasing.
Scale Exercise: Exploring 3rds with Fast Ascending Lines (3 Notes per String Fingering)
This exercise focuses on practicing scales in 3rds while incorporating a rapid, ascending melodic pattern. It employs the "3 notes per string" fingering technique, which is ideal for fluidity and speed across the fretboard. It’s designed to improve finger independence, precision, and your ability to navigate the fretboard quickly.
Alternate Picking Exercise with Rhythmic Variations and a Melodic Bass Line Using the C Dorian Scale
A unique approach to practice scales. Scale ascending motion with an octave switch - to create more interesting lines and understand the fretboard better
Triad - 2notes - arpeggio - 4 notes For left finger independence and being familiar with triad sound and cadence
Major and minor 251 progressions with two-part counterline sounding approach.